I have been watching this thread for a week now...
I wish I had better examples of my work - but my full time job and family have been my primary focus.
This is the only video I have of some work I did about a year and a half ago using Flowstone and custom output DAC's, etc....
This is only a simple non-choreographed proof of Flowstone module concept test !
https://youtu.be/gyHxtIjvFGo (Sorry for the poor quality of the video and audio)
Currently and slowly I am working on the modules which are digital versions of my original analog image creation systems.About me (if anyone is interested

)
I am an EE and have been working with lighting, lasers and x/y scopes (as well as audio products API, Tonelux) on and off since 1974 when I got my first surplus US Navy 0-scope. Working in the Atomic Physics lab in college I could not get over the beauty of the laser lab I was helping build when we would turn off the lights to do our spectroscopic experiments. The o-scopes and laser colors all over the walls was stunning to me - I am an artist at heart.
Much of the work I did was at one of the largest Laser Light Show companies (at the time late 1970's early 1980's) Audio Visual Imagineering as their R&D Design Engineer around 1984, where we did many laser shows for the next 30 years (till 2004) in both planetariums, corporate shows and festivals mostly in the US but some were done in countries around the world. All the equipment was custom starting with analog image synthesizers, while like audio synths are quite different. By the mid 1990's to 2000's the systems were all digital DSP type synths using Hypersignal Ride and TI DSP PC cards (see:
http://www.ni.com/support/ride.htm). The laser scanning systems (servo systems, etc.) were designed and built by me as were many (but not all of course

) of the laser show performance consoles and recording equipment (16 channel FM Mod/Demod then we built 14 channel video tape PCM Encode/Decode systems) and at the time were state of the art... We had a few of the best engineers I have ever worked with. And so did a few of our competitors - I am still friends with them, but we have all gone our separate ways...
I can say we all worked many long hours to accomplish what we did back then. Recording all of this data was a major headache ! A side note is that one of our best engineers (who works in video now) developed our digital audio system and PCM Encode/Decoder, which went online in 1987, and enabled us to edit soundtracks digitally. The hard drive alone cost over $3000US and only enabled us to do about 45 minutes worth of digital editing, 650MB as I remember

. And the system ran in DOS too, not Windows !... we only had a few CD's and they cost a fortune back then... we paid to rent CD's for show production as well !
I say all of this because we did many things similar to the things in this post and some in other posts as well and hope to share more as I can find the time. I really enjoy reading all of your new work... it is helping me stay young... well at heart anyway !!!
AV-Imagineering lives on as a small subset of its former glory and a few friends still work the.
see:
http://www.av-imagineering.com/The association we founded lives on as well. I was one of the founding members of the Technical Committee.
See:
http://www.laserist.org/I am doing work on laser image synths now only as a hobby, and so it is slow going but having used Synthmaker and now Flowstone for the past 6 or so years I LOVE IT !
Flowstone helps make this A LOT easier now days !!!I love the support community here (you guys are really sharp) and hope to have something more to show in the near future !
Thanks for your help over the last few years too !
Now go have some fun !!!
Aron